Circulation: Global  October 2000  Vol. 1 Issue 7

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THE WARRIORS
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Sol Yurick

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Politics are Helll

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ARCHIBEQUE'S LAST WORD

FIGHTING THE GOOD FIGHT
Why Anti-War Movies
Encourage Violence

 

"So long as there are men, there will be wars." --Albert Einstein A funny thing happened on the way to the anti-war column, after watching about a half-a-dozen "antiwar films" I realized that antiwar films require a war. I asked friends and family for a list of favorite antiwar films and got the usual titles: Apocalypse Now, Platoon, Born on the Fourth of July, Dr. Strangelove. They all give you that feeling that it's bad to get into a situation where you might get shot, taken prisoner or lose a limb. But do they give you the sense that war is ideologically wrong? Or do they just give you the feeling that losing is bad? Some of the best antiwar films are actually stories that are told from the other side of the battlefield: All Quiet on the Western Front, Das Boot, Underground, and Richard III come to mind. What gives them the feeling that war is bad is that the characters are all losers, and American's hate losers.

Violence occurs when one person wants one thing and another person wants something else, like you want to be doing 85 in the fast lane and the person in front of you is doing the speed limit. Riots occur when one group in a country wants one thing, voting rights, equality, and the ruling body doesn't want to give it to them. War occurs when one country wants to practice an ideology that another country disagrees with it, like being communist or incinerating 8 million people. Either way it's all based on power and control and fighting the power.

What I'm saying is, of course war is bad, anything that can get you killed is bad, but there are few people I know, short of Buddhist monks who don't have a negative reaction to being controlled or attacked. War films, much like any action film, allows us to identify with a character who is being controlled or attacked and fights back. We identify with the hero and want him to win because we want to win, and more importantly, we want to see the bad guys get theirs. But of course, we just talking about films, aren't we.

Let's take a look at our list. Apocalypse Now, great film, but why? What's our favorite line? "I love the smell of napalm in the morning." It's based on the story by Joseph Conrad called The Heart of Darkness about a rogue cornel, Kurtz, who goes native and becomes a cannibal. A soldier is dispatched to kill him and the soldier has to ponder the morality of killing to prove that killing is wrong. Same basic line in the movie, and after a couple of hours of watching needless killing not only do we believe that Kurtz needs to die we would also like to see the government that sent his killer put in stocks. Born on the 4th of July? Doesn't it leave you wanting to take those clubs from the Chicago cops and beat them silly with them to let them know how it feels to be beaten? For viewers to actually feel that war and violence are ideologically wrong they would have to be left with the feeling that no one should be punished. Have you ever seen a film that has left you feeling that way?

In the new film 28 Days Later, after animal rights activist let loose infected primates that the isle of Britain is struck by a virus: Rage. Scientists were studying how to diminish violence in people and studied the problem to find the cure. The infected people attack every living creature they run across mindlessly pummeling it to death, unless it too becomes infected and then they seem to have no interest in killing it. As the survivors eat dinner they discuss a return to normalcy. One thinks that the end of man will return the world to normal, but an army captain has a different idea. "What I've seen in the 4 weeks since the infection: people killing people. What I saw in the 4 weeks before infection: people killing people." For him the world is normal, just sped up. It's a fabulous film and I highly recommend it.

 

 

new rose

There's a saying that an optimist believes we live in the best of all possible worlds and the pessimist knows it. Well, I'm a pessimist. I don't believe that it's possible to end war, not as long as people are around. People will always disagree, some strongly enough to kill. Accordingly, my favorite "antiwar" films are the ones that acknowledge that we are warrior based creatures and the best we can do is be honorable when defending ourselves. The list of films given above tends to cater to the idea that we are at our best when we are doing the best we can to be decent human beings in a situation that appeals to the beast in us all. Platoon is about the battle for the soul of a young man. Evil wants him to become a mindless killer. Good wants him to feel each and every action he takes is a moral decision. Born on the 4th of July is about a man who only finds his humanity when he loses his legs. There are others not on the list that are among my favorites:

Pink Floyd's The Wall, it may be 70s rock, but it's also an mind blowing venture into the relationship between selfishness, neglect, need, corporatism, capitalism, dictatorship and war. It also has some of the most volatile animation ever. It is unequaled in showing the way people mistreat each other and perpetuate violence. Do not take acid and watch this film. It also introduced us to Bob Geldof and Jenny Wright.

A Midnight Clear is a truly underrated film. Set in the snow filled Ardennes of Europe during World War II it is narrated by Will Knott (Ethan Hawke) who his troop mates jokingly call Won't. He begrudgingly leads a team of 6 high IQ troops. The team was originally 12 and he leads only by virtue of surviving a "map inspired" mission where 6 died. "Not one of the six killed had an army intelligence score of less than 150," he narrates, "We gained a few miles of European real estate and lost the beginnings of untold generations of very bright people. I think the army considered this a good deal." There is very little action but a lot of insightfulness and I could watch it a thousand times while drinking myself into a blind depression about the state of mankind.

Equilibrium, which is an anti-anti-war film. Set in a world drugged out on anti-emotion drugs it makes the argument, rather eloquently, that the same passion that leads to violence also leads to art, music, and romance. It asks the question ala 1984 and Fahrenheit 451 if you are willing to pay for love with hate, romance with jealousy, peace with war? It also stars Christian Bale and Tyne Diggs and that's not a bad thing.

Full Metal Jacket. I always joke that it is my favorite two antiwar films. The first half follows our heroes through boot camp where the Marines do their best to remove any morality barometers from their recruits and replace it with nifty rhymes like: "this is my rifle, this is my gun, one is for killing, the other for fun." The second half follows a few of the recruits in Vietnam as they waver between becoming desensitized to the death of others as wrong and end up just wanting to avoid the grim reaper themselves and wondering why one life is worth more than any other. The exchange between Joker (Matthew Modine) and an irate officer is the frame for the film. The officer is mad because Joker wears both a peace symbol and the slogan "born to kill" on his helmet. The officer demands to know why and Joker replies that he's "trying to say something about the duality of man. You know the Nietzscheian thing."

People are two sided. One side of us wants to believe in peace, but the other half knows it's impossible. It is this duality that drives us to create music, art and some pretty amazing films as we try to reconcile with ourselves. But of course, there's always hard drugs and Krispy Kremes for the less creative. Happy Anniversary America.

 

 

 



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